Tori Cowley joins Mitie as corporate affairs and IR director

Mitie has appointed Tori Cowley to its executive leadership team as group director of corporate affairs and investor relations, reporting to CEO Phil Bentley.

Cowley joins Mitie from the London Stock Exchange Group, where she was responsible for all group communications and marketing since 2010.

Prior to joining the LSE, she was head of corporate affairs for Thomson Reuters, EMEA, and head of financial communications at Reuters.

She began her career at Price Waterhouse in London, qualifying as a chartered accountant, before moving into corporate finance. She has worked at comms consultancies including Powerscourt and Citigate Dewe Rogerson.

“We are delighted Tori has joined Mitie,” said Bentley. “She has an impressive track record helping businesses execute ambitious strategies and delivering successful corporate affairs programmes, often in periods of significant change.”

Cowley added: “With over 53,000 employees and customers ranging from blue-chip businesses to hospitals and hotels across the country, the group is changing the way successful organisations operate. The opportunity to be part of that is compelling and I am very much looking forward to working with Phil and the whole Mitie team.”

FleishmanHillard Fishburn's Nick DeLuca and Tim Snowball

Political heavyweights DeLuca and Snowball join FleishmanHillard Fishburn

Nick DeLuca, a senior political advisor, and Tim Snowball, the former Lib Dem comms director and chief of staff, have joined FleishmanHillard Fishburn.

The pair will strengthen the agency’s public and international affairs offering, and support its recently formed international affairs unit.

With more than 30 years experience in politics, campaigning and corporate affairs, DeLuca joins FHF as a senior partner. He will also sit on the agency’s International Advisory Board providing counsel to key global clients.

DeLuca began his political life as an aide to senator Edward M Kennedy in Washington. Previously a founding director of Open Road and APCO UK, he will also work closely with FHF’s global public affairs practices.

Snowball will become FHF’s head of public affairs in the UK, taking over the day-to-day running of the team. He joined Nick Clegg’s parliamentary office in 2006 and went on to run his successful general election tour.

In 2010, he worked closely with Clegg in the coalition negotiations, before becoming head of the office of the deputy prime minister and then the party’s director of communications.  He left to set up the public affairs unit at PHA Media in 2014.

“We are very pleased to have secured the services of both Nick and Tim to add to our senior bench strength,” said FHF CEO Jim Donaldson. “Our UK PA offer remains a key asset, and with London continuing to be an important hub for our industry and for FHF globally they will also work closely with Michael on international affairs.”

DeLuca continued: “More than ever, in these complex and challenging political times, clients need assistance navigating waters unsettled by historic developments – including Brexit, the Trump Presidency, economic uncertainty and technological disruption.

“FHF is perfectly placed to counsel businesses through such change. I’m thrilled to have the opportunity to help grow that business and be a part of that success story.”

Snowball added: “I am delighted to be joining FleishmanHillard Fishburn at a time when the agency’s EU and UK political expertise, as well as campaigning tenacity, position us perfectly to offer support to increasing numbers of clients throughout the Brexit process.”

  • Pictured: Nick DeLuca (left) and Tim Snowball
Brighton Beezer publisher Ilana Fox

Meet the Journalist: The Brighton Beezer publisher, Ilana Fox

Ilana Fox, the woman behind The Brighton Beezer, tells Gorkana’s Ona Zygaviciute about why she launched the publication, what makes it unique – and the role print journalism has to play in the modern media landscape.


What makes The Brighton Beezer unique? What inspired its launch, and why now?

We concentrate on stories from and about people within our local community, rather than on news or lacklustre events – something you don’t really see in print.

The newspaper industry as a whole is still trying to figure out digital, and local papers even more so. Digital lends itself better to local breaking news so much better than print can, in terms of cost, resourcing and timing. But we’ve found local advertisers still very much want to advertise in print: they trust it.

It was the question “Where does that leave the content side of a local paper?” that inspired the launch of The Beezer. Our answer is that we want to bring the focus back to the community, to the people, and to share stories that are inspiring, relatable and good. We want to bring something new to the local newspaper scene.

How will you judge its success? What do you want to achieve in the first 12 months?

If someone picks up the paper and they read something that makes their heart soar or makes them think, then that’s a success to me.

Of course, every newspaper is a business, and if we can create a paper that at the very least breaks even in terms of advertising revenue I’ll be happy. But we’re so far on track to generate a profit, which excites me. It’s early days, but it shows that advertisers understand what we’re trying to do and want to support it.

What does your role involve?

My background is working in digital and start-ups, so I’m applying tech start-up methodology to running this newspaper – and I get my hands dirty. I oversee everything from editorial to advertising to business development to distribution to the countless revenue spreadsheets to resourcing to brand to the legal stuff – the list is endless.

Would you give us an overview of the editorial team structure?

We have an editor and several freelance journalists, who range from first job journalists to seasoned pros who are involved because they love it.

It’s not a big team – we’re a new paper, I need to keep costs down while ensuring everyone gets paid – but it’s a passionate team.

Then we have a couple of freelance subs, a head of design who I worked with at The Sun (Jamie Griffin), and then people we call on to help with the design of the adverts as and when we need it. It’s very agile and we work in sprints.

What draws you to traditional print and, while the regional press faces challenging markets, makes you think there is a role for print titles in local communities?

There’s something special about print that digital can’t replicate; it’s that permanency, that feeling of holding something in your hands.

Print advertising still very much has a place in a digital world – 60% of people who read a paper don’t do anything else when they’re reading it, and one in two adults read a newspaper every week. The audience is still huge, and more importantly, they’re not distracted like you would be reading something on your phone or laptop.

Advertisers – and local advertisers – understand and trust print and print readers in a way that they don’t necessarily do with digital advertising and people clicking about on websites. It feels more authentic, and when you combine that with the content in The Beezer, which is honest storytelling about people within the community.

What PR opportunities would you say The Brighton Beezer offers? The paper being completely new, are there any sections you’d like PRs to pay particular attention to?

We’ve been approached by about 100 PRs since The Beezer launched. Our inboxes have gone crazy! We really appreciate all the interesting stuff that’s coming our way.

We’re a small team and are pounding the streets most days meeting and talking to people. But we’ve learned so much more about things going on in the community from the PRs who have approached us. If you’re a PR working with someone who’s got a great story to tell, we’d love to hear more.

But what’s different about us is that we’re not going to ever just repurpose press releases to fill copy space. That’s not what we’re about. We will never, ever do a puff piece on a business just for the sake of it.

How do you view the PR industry? What tips would you have for PRs pitching content to The Brighton Beezer?

I’ve managed PR teams in my time and, my God, it can be a thankless task. But then there’s nothing more exciting than scoring a great piece of coverage that makes a huge difference to a client, and I totally understand that.

My tips are the obvious: make sure the story is the right fit for the publication and the audience and do your research. The Beezer is pretty different to other local papers, and I’ll always get back to people who have taken the time to consider that in their pitch. Mass-sent emails, on the other hand, get deleted straight away.

BrandContent wins Harley Street Medical Area

BrandContent wins Harley Street Medical Area PR brief

London’s Harley Street Medical Area, a quarter-mile strip home to 250 clinics and hospitals, has awarded its PR brief to BrandContent following a three-way pitch.

The Welsh agency will deliver a bespoke PR and amplification programme for the area, which is known for its medical care expertise and curated by the Howard de Walden Estate.

“We needed an agency that understood the rich heritage of the buildings and could comfortably work across business and property as well as the health sector,” said Lisa Stone, PR, marketing and communications manager at the Howard de Walden Estate. “BrandContent really grasped our needs and their vision and depth of knowledge really stood out.”

Sharon Flaherty, BrandContent founder and managing director, added: “We are delighted to be working with the Harley Street Medical Area. The cutting edge medical treatments happening across the hundreds of clinics in the area are breathtaking.

“From the opening of a world-first proton beam therapy centre in the quest for a cure for cancer, to sharing the history of area, there are so many stories to tell of medical significance for the UK and the rest of the world.”

She continued: “This latest client win demonstrates a trend in brands moving away from the large corporate agency model to smaller, more innovative agencies who are challenging traditional agency ways of working.”

Nick Barron joins MHP Communications

Edelman’s Nick Barron joins MHP Communications as deputy CEO

MHP Communications has appointed Nick Barron, Edelman’s corporate reputation managing director, as deputy CEO.

He will work closely with CEO Alex Bigg and chairman Julian Hanson-Smith to drive growth, transform the MHP business and oversee the firm’s corporate affairs, public affairs and brand teams.

At Edelman, Barron led its 80-strong corporate reputation team for nearly three years, growing the department into the UK’s largest specialist corporate practice and adding more than 50 clients to its portfolio – including F1, Lagardere, Workspace and DONG Energy.

In 12 years with Edelman, he advised clients ranging from Unilever and GSK to Manchester City FC and The Economist Group.

“I’m delighted that Nick will be joining us,” said Bigg. “Having worked with him previously, I know him to be a rare combination – a world-class adviser and a brilliant leader.

“We are building an industry-leading strategic communications consultancy and he will help us accelerate our work.”

Debbie Klein, chief executive at Engine Europe and Asia Pacific, continued: “Nick’s arrival marks a milestone in the evolution of MHP, which has been growing strongly under Alex Bigg’s leadership.

“MHP is investing in top talent to build on its strong track record of helping clients solve business problems and navigate change in a time of great uncertainty. This appointment is a coup.”

Barron added: “The vision for the future of MHP that Debbie, Alex and Julian have set-out is incredibly exciting and I can’t wait to get started. This is an opportunity to create a unique proposition with focus, scale and passion.”

Bigg has implimented several changes since he joined the agency last year, including the creation of a new MHP Media Unit led by Ian Kirby, the former News of the World political editor.

Farrer Kane appoints Daniela Conte

Farrer Kane appoints Daniela Conte as associate director

Farrer Kane has recruited senior communications specialist Daniela Conte as an associate director.

Conte has nearly 20 years’ experience running PR and comms for international and UK law firms including Baker McKenzie and Simmons & Simmons. She has also worked in the financial and public sectors for HBOS and Bradford & Bingley.

Her expertise spans all comms disciplines, including corporate communications, media relations, social media and crisis communications. She has also run internal communications campaigns to support change and diversity programmes.

Alex Kane, Farrer Kane director, said: “The appointment expands our senior level offering to clients and reflects our ambitious growth plans.

“In recent months, the agency has appointed Catherine Barrett as an account director and Max Freeman-Mills and Emily Baker as PR assistants, all with the aim of fulfilling our goal of not just happy but delighted clients.”

The Scotsman: Print is not going anywhere anytime soon

Frank O’Donnell, The Scotsman’s editor-in-chief, talked about the brand’s 200-year anniversary, its digital growth and how its editorial team produces content at Tuesday’s Cision media briefing.

Launched in 1817 by William Ritchie and Charles Maclaren, The Scotsman is now distributed throughout Scotland with a current print circulation of 22,740. Its online and mobile sites receive 10 million page views per month, on average.

O’Donnell is also editorial director of the Edinburgh Evening News and Scotland on Sunday and runs an editorial team that produces content for all three titles – in print and online.

In conversation with Philip Smith, Cision’s head of content marketing and communications, he talked about his plans for The Scotsman, its digital reach and the loyalty and passion of its readers.

The Scotsman takes pride in being part of its community


The “national newspaper of Scotland” is celebrating its 200th birthday. But according to O’Donnell, that’s only one of the reasons the title is special.

“It’s special because of the city (Edinburgh) we are in,” he said. “The readers are really loyal – they care very passionately about the title. When you make a change in the paper, they are very, very quick to tell you what they think about it. That’s incredible, that’s passion.”

He added: “I want Scotland to be a country that does well. I want our businesses to do well. I want our trains to run on time, our buses to run on time.”

A third of the title’s digital audience comes from overseas


O’Donnell said digital media has had a big impact on The Scotsman, as people want to know what is happening in the country.

“A third of our audience online comes from overseas. I know when I worked overseas I always felt a little bit more Scottish than I do here,” he joked. “My accent seemed to become a little bit stronger!”

But although digital and social media allows it to reach new audiences across Scotland and internationally, he argued that print is still important.

“Print is not going to go away any time soon, I can assure you of that,” he said.

Dos and don’ts when pitching to the editorial team


While the team does produce content for The Scotsman, the Edinburgh Evening News and Scotland on Sunday, they all communicate regularly. For reporters on The Scotsman, the day can start at 6am with key news meetings at 11am and 3.30pm.

“Don’t phone three times!” O’Donnell recommended. “If [a pitch] can’t be sold successfully in a brief email then it probably isn’t a story.”

The best stories have a human angle


Melissa Clark, account manager at Indigo, was in the audience at the event and praised O’Donnell for speaking so candidly about the highs and lows of the industry.

She said: “What a fantastic event. It’s rare you get the chance to hear from an editor in person, speaking so candidly about both the highs and lows of the industry. His focus on the positives was extremely encouraging, especially as we enter an increasingly digital age.”

“I left with a better understanding of how to continue work with journalists to get stories for my clients out there,” she added. “Focusing on the human side of stories and building on my relationships with journalists.”

Louise Robertson, associate at Message Matters, agreed: “Frank O’Donnell’s frank and honest views on editing a national newspaper made for a really interesting session. I found his views on exclusivity of stories versus general release to be insightful, as well as his views on pitching stories in a digital era.”

  • Picture credit: Alan S. Morrison, ASM Media & PR

Forster Communications named ‘Best for the World’ for accountability

Forster Communications has been awarded ‘Best for the World’ status within the B Corp global community, following an assessment from corporate accountability firm B Lab.

The employee-owned agency appears in 2017’s ‘Best for the World Overall’ list of businesses that scored in the top 10% of the world’s 2,100+ certified B Corporations.

Forster was acknowledged on the list for its staff health and wellbeing programme, its environmental policies and its commitment to measuring and evaluating the positive impact of its work.

To certify as B Corporations, companies must complete the B Impact Assessment, which measures a company’s impact on its workers, community, customers and the environment. The answers are then verified by B Lab.

“We have been committed to delivering positive social change since we were founded more than 20 years ago,” said Amanda Powell Smith, Forster Communications CEO. “We are immensely proud to have recognition of what Forster is all about – delivering outstanding work for clients whilst improving the communities in which we all live and work.”

She continued: “I believe the PR industry would benefit hugely from more agencies going for B Corp status – those who can’t walk the ethical talk are going to get left behind.”

Jay Coen Gilbert, B Lab co-founder, added: “Companies like Forster Communications exemplify what it means for a business to be a good citizen. We’re proud to recognize their achievement.

“’Best for the World’ is the only list of businesses making the greatest positive impact that uses comprehensive, comparable, third-party-validated data about a company’s social and environmental performance.”

  • Pictured: The Forster Communications team
Buchanan advises appScatter

Buchanan supports appScatter IPO

Buchanan provided comms support to app distribution company appScatter Group during its admission to the AIM market of the London Stock Exchange earlier this month.

The Buchanan team was comprised of partner Ben Romney, deputy chairman Giles Sanderson, account director Stephanie Watson and account executive Catriona Flint.

“We were delighted to support appScatter on its IPO in early September,” said Romney. “The disruptive and first-mover nature of its technology platform ensures its story will resonate with all our various audiences.

“We look forward to working with the management team as we position appScatter as the leading voice on the fast growing app economy.”

  • Pictured: Philip Marcella, appScatter CEO
Fusion Media wins Evans Cycyles

Fusion Media wins Evans Cycles PR and social media brief

Evans Cycles, the UK’s largest high street cycling retailer, has awarded its PR and social media brief to endurance sports specialist Fusion Media.

The agency is tasked with increasing awareness of Evans Cycles’ key brands in the specialist and national media, as well as improving its social media presence.

Founded in 2008, Fusion Media’s sporting roster includes Strava, Red Bull, Wahoo, Ribble Cycles, Shimano, Telegraph Events, Madison and Royal Dutch Gazelle.

“Fusion is the only agency we’ve ever met that ‘gets’ cycling and we’re really excited to be working together,” said James Backhouse, marketing director at Evans Cycles. “We chose the team because of their expertise, passion and clear enthusiasm for the job.

“We need an agency that can communicate authentically with the core audience in cycling, and also take us to new and more mainstream audiences.”

Adam Tranter, Fusion Media founder and director, added: “We’re excited to work with a brand with such heritage and one that shares a genuine deep-rooted passion for cycling.

“We’re looking forward to working with Evans Cycles to share their story with both new and existing audiences.”