Opinion Hotwire's Barbara Bates: How challenger agencies can compete with the big networks

Opinion: How challenger agencies can compete with the big agency networks

Barbara Bates, global CEO at Hotwire, highlights the key areas where challenger agencies can go the extra mile to compete with their larger counterparts.


For a long time in the industry, the behemoth agency networks were seen as the only answer. However, times are starting to change. Clients are telling us they want creative excellence and effectiveness in strategy, they want agencies capable of bringing about genuine impact, sweeping away barriers and agencies imbued with the mind set to be limitless.

The mentality that “bigger is better” is changing and, as a result, opportunities are opening up for agencies of all sizes, be they mid-sized independents, small boutiques or even those part of a global network.

How, though, can agencies outside the top ten or twenty really challenge the dominance of the behemoths and networks and offer something different that works?

I believe there are three key areas in which agencies can excel; upping their game, adopting a sensible scaling strategy and providing a truly different perspective to the conventional network agency manifesto.

Upping your game


The good news is that the best mid-sized agencies are already starting to outperform the big guys and put more pressure on the big agency players.

Smaller agencies have been winning sizeable chunks of business from large clients and it’s propelled them into offering both more strategic and a greater breadth of services.

Although these agencies are putting more pressure on the big players, it’s important they take nothing for granted and continually up their game to attract the best talent and develop ambitious, adventurous work that delivers the results clients demand.

Adopting a sensible scaling approach


One of the great selling points multinationals often have in their favour is the promise of implementing cross-border campaigns through smooth international collaboration. Unfortunately, the reality is often different.

Clients are getting burned as cross-border agency unity and cooperation is undermined by agency teams fighting to secure a bigger share of the revenue. The problem is so endemic to the big agency model that clients are increasingly wary and asking if agencies have one profit and loss.

While you can tell people to work better together, until comparison models are driven by client satisfaction across all offices, they will remain inclined to protect and enhance their immediate team’s share of the revenue.

By embedding financial models into their organisations, mid-sized agencies can ensure their people work together in a way that best serves clients.

Providing a truly different perspective


If there is a rallying call for mid-sized agencies, it’s this; use your size as a weapon. Don’t aspire to be like the big guys and work hard to be exactly the opposite.

The market is more ready than ever for brave agencies with a fresh philosophy, agencies that are willing and able to challenge ingrained traditions and business habits that may be outdated.

More nimble, open minded smaller firms have a huge opportunity here, if they’re willing to blaze a new path.


To hear more about how boutiques and niche agencies are disrupting the PR industry, read about our webinar on the subject.

60 Seconds with The Academy co-founder Mitch Kaye

60 Seconds with The Academy co-founder Mitch Kaye

Mitch Kaye, co-founder of The Academy, reveals why he and Dan Glover started their second agency, how the pair work together and his love of AFC Bournemouth.


What made you decide to found a second agency – The Academy – after previously setting up Mischief?

We sold Mischief to Engine in 2011. After the two years’ post sale period was complete, we had plenty of remaining ambitions, loads of energy, and a belief that we’d get there quicker as an independent business who were the masters of our own destiny again.

The second time around feels very different, but there is no doubt we are braver, more comfortable in our own skin, and more driven. What we’ve achieved previously counts for nothing though, and we’ve got it all to prove again.

Why “The Academy” as a name?

We chose The Academy as a name for two reasons. Firstly in so many walks of life, be it film, music, art etc, it represents a place which sets the very highest standards. And from day one, that’s exactly what we’ve tried to do.

The second reason is because an academy is also a place to learn, and every day Dan and I, together with our team, continue to learn.

You founded The Academy with Dan Glover; how did you meet and how would you describe your partnership?

I set up Mischief in January 2006; by the summer there were four of us and one day someone on the team took a call from a guy called Dan Glover. In transferring the call to me she accidentally cut him off. Two minutes later he called back and we somehow managed to cut him off for a second time.

Luckily, he called back a third time and we arranged to meet. He was looking for an account manager role, which was something we didn’t need and couldn’t afford. When we met, Dan took me through his portfolio of work and it was so good I didn’t believe it was his, and thought he’d stolen it from a creative director in an ad agency.

He was either a genius or a bloody good liar, but either way I hired him on the spot and paid him from my salary. Fair to say it proved to be a good decision, and for the record he proved to be a genius (and not a bloody good liar!)

In April 2014 we began The Academy as equal partners, but in reality we’ve always worked this way. He is the creative director who understands that you need to grow the business and its value to sustain the creativity.

And I hope he’d say I’m the CEO who believes the best way to grow a business of value is by doing best-in-class creative work. We understand each other’s worlds, work at the same pace, are paranoid about the same things, find the same things funny, and crucially, we couldn’t do each other’s jobs.

I am extremely lucky to have him with me, and even luckier that he called back for a third time on that day in 2006.

How important was it for you to ensure The Academy was a creative business?

It is extremely important. We believe the big opportunity is to build a creative business of scale which is capable of solving problems for clients. That’s where we believe we can have a genuine impact, and it’s what we feel our clients want and need.

But to achieve this, creativity has to be running through the veins of the business. Once our new hires arrive in January, 50% of our board will be made up of creative talent, with the other 50% having shown a commitment to supporting and enabling best in class creativity in their respective careers.

So we are putting our money where our mouth is, and making sure the leadership of our business reflects what we’d like to be famous for.

The Academy is split into very distinct constituent parts, what is the reason behind this? And how do you look to measure your PR output?

Two reasons really. First of all we think the PR agency of the future needs these capabilities within its core team in order to give their clients what they need. And also, we want to be able to control the quality and the speed of each element. If everything is within our building and owned by us, we can react quickly and remain like a start-up in terms of hunger and energy, rather than a big agency which takes too long.

In terms of measurement, we have our own Data & Insight capability within our team which helps us demonstrate value and impact to our clients, but ultimately the measure we are judged by is the business impact we have, and are able to demonstrate, in partnership with our clients.

With that in mind, I think our biggest achievement in 2018 is a record level of organic growth, which proves the point that the best opportunities for us are those among our existing client base.

Finally, you’re a big Bournemouth football fan, did you ever expect the club to become an ever-present Premier League team?

Not in my wildest dreams! My dad and grandpa took me to see my first match when I was seven, and while I’ve been addicted ever since, I never thought I’d see Bournemouth reach the Premier League.

It’s all down to Eddie Howe, who is someone I’ve had the huge privilege to meet, spend some time with, and learn from over the last six years, and someone who is a real inspiration.

  • Pictured (l-r): Mitch Kaye and Dan Glover

Simon Strand – winner of the 2018 Swedish Cision PR Influencer Award

Simon Strand is Sweden’s most influential PR consultant in digital channels and was awarded the Cision PR Influencer Award 2018 at the Spinn gala in Stockholm last week, Cision’s Oskar Larsson reports.

For eight consecutive years, Cision has sponsored the annual PR awards Spinn Galan in Sweden, and as a prominent partner have created a special prize for the most influential PR consultant in digital channels – the Cision PR Influencer Award.

Last year, Viktor Frisk was our winner, and in 2018 we’re thrilled to announce the holder of the title is Simon Strand.

Strand runs the PR agency 500 and has appeared frequently in Swedish national news during the year for his ability to mobilise his digital followers to take action in real life.

One of these campaigns concern one of Sweden’s most prominent football clubs, AIK Football, of which Strand is a dedicated supporter. Prior to the AGM, he proposed an alternative board proposal and managed to garner 924 votes to achieve a change of the board.

Ulrika Peyron, marketing manager Cision Nordics, said of the winner: “Simon’s engagement and ability to influence others shines through everything he commits to. With the stories format a focus for this year’s award, this was a major factor for why Simon is placed at the top.

With an excellent sense of understanding what his target audience reacts to, it’s well deserved that he can add the Cision PR Influencer Award 2018 to his list of qualifications.”

Simon added: “It is fun and also an honour that Cision and the Spinn Awards are highlighting the PR work that I’ve done during the past year. Attention can – when used properly – be a valid tool for change, and time will tell if I, along with those behind my work, will succeed in the long run. I am not done yet!”

Discover how PR can move from evolution to revolution

Discover how PR can move from evolution to revolution

At CommsCon earlier this month, we heard a range of fantastic speakers articulate their view of what comms professionals can do to improve their output.

They encouraged their fellow professionals to embrace new ways of thinking and working, whether that be through encouraging organisations to fill vacuums, demonstrating the best examples of storytelling, producing the best social campaigns and even how to navigate through a crisis.

There were also examples of how new technology and better measurement is set to revolutionise earned media, helping the sector to secure investment closer to that seen across paid and owned media.

This earned media revolution is set change the way communicators work. But what will it actually look like?

How does PR move from evolution to revolution?


On Tuesday 11 December, our latest webinar will explore what being part of the earned media revolution actually means. How does PR move from evolution to revolution? will examine the key themes which emerged from a day of discussion, insight and debate and examine the future of earned media.

We’re delighted to be joined by CIPR Artificial Intelligence in PR panel member Kerry Sheehan, MoneySavingExpert senior press officer Katie Watts and SE10 senior account director Hannah Kitchener.

Moderated by Cision business development manager and CommsCon master of ceremonies Flora Edward, this webinar will see Sheehan, Watts and Kitchener discuss the insights from CommsCon which resonated with them, the challenges facing the industry, the future of earned media and what key takeaways from the event they will be integrating into their 2019 comms strategies.

The trio will cover a range of subjects, including how advancing technology is changing the industry, why engagement with journalists and influencers needs to be smarter and what a revolution in PR measurement will do for the industry.

To hear what they have to say and what effect the earned media revolution will have on you, sign up to How does PR move from evolution to revolution? by using the button below.

Register here

Brendon Craigie Tyto PR

Opinion: Why “PR” is having a renaissance

Brendon Craigie, co-founder and managing partner at Tyto PR, examines why PR professionals are once again adopting the PR moniker.


The public relations industry is in the midst of a renaissance. After a prolonged period of big agency posturing in which everyone wanted to be seen as “so much more”, PR is back on the menu as the great and the good of the industry embrace the phrase once again.

There’s a beautiful irony in the fact that the PR industry – the raison d’être of which is to help brands, industries, individuals and causes position themselves accurately – has struggled so extensively with building a modern interpretation of what PR means, instead opting to dispense with the phrase altogether for so long.

When we launched Tyto, we wanted to be as vocal as possible about why we were (are) PR and proud. We believe that PR has timeless value. Clients need our help. They always have, and they always will. They need it because they need PR to build, manage and protection their reputations in today’s convoluted media environment.

How should clients approach a world in which there is often no filter, quality control or restriction on public-facing material? What tactics should they adopt to speak with meaning and purpose when it has never been easier to produce and disseminate endless content? Who should they target when the parameters of influence are no longer confined to the four walls of a newsroom?

Why move away from PR?


So then, what went wrong? And why has it taken so long to put this right?

First, industry angst surfaced due to the supremacy of digital and social media communications.

Though PR may have an all-encompassing brief, “public” relations has come to mean “media” relations in the eyes of many.

Senior individuals in large agencies have been especially guilty of recoiling from this practice in recent years, viewing it as a service that can be commoditised and parked with the most junior employees. This has led to the industry being kept awake at night fretting over its lack of digital and social expertise.

Second, in a world obsessed with mass content production, we’ve lost sight of the media’s critical role as a check and balance.

PR’s relentless focus on the media was viewed as a problem, but the industry couldn’t have been more wrong. Paid and promoted content became the norm and was unwillingly rammed down people’s throats. Anyone can pay for views and clicks, however persuading a journalist to publish your content is the best possible filter. If content can win over a sceptical journalist, then it probably has legs.

Third, the Cannes Lions effect.

99.9% of our work is intricate; a delicate balancing act. What it isn’t akin to is the jazziness of the advertising industry. Ever since the creation of the PR Cannes Lions almost a decade ago, there’s been a growing trend to think of PR and advertising as one and the same. We aren’t. Our work involves the shrewd management of reputation; not just noise and volume.

The reclamation of public relations


There’s no question that public relations needed to change with the times. Social media’s effect has been irreversible, the notion of influence is no longer restricted to journalists and there has been a significant blurring of the lines between PR and marketing.

Agencies’ creativity now needs to have the greatest commercial impact possible, which demands a far more wide-ranging skillset, as well as a nimbleness to adapt to a multitude of media channels.

PR isn’t necessary, it’s essential, and the world has never needed it more than it does now.

PR News in Brief

PR news round-up (19-23 November)

Here’s a round-up of this week’s PR news, featuring our CommsCon content, Curzon PR’s Farzana Baduel and senior hires at Golin, London Stansted Airport and Stir.

CommsCon


Watch our CommsCon highlights video to see the key insights gleaned from the event. You can also view all of our video interviews with our great line-up of speakers here.

We have also written-up some of our fantastic sessions, the links to which you can find below:

Interview


60 Seconds with Curzon PR's Farzana Baduel

Farzana Baduel, founder and CEO of Curzon PR, talks about being an ambassador for the Oxford Foundry’s L.E.V8 Women programme, how women can become PR leaders and combining a “boutique” agency with international clients.

Account wins


Skout has announced two new additions to its client roster. The agency will work with legal digital marketing specialist mmadigital to raise its profile across the legal sector and with law graduates, while it has also been appointed by international branded retail display firm 100% Group to support its growth plans.

International residential property developer EcoWorld has selected ING to handle its UK PR brief as it looks to rapidly expand in the UK.

Travel comparison and verified deals site dealchecker has appointed Rooster PR to raise awareness of the brands USP’s through media relations, thought leadership and creative storytelling.

Concepta Diagnostics has appointed healthcare comms specialist ROAD to provide PR and social support for its myLotus home-use fertility monitoring system.

Manchester-based fashion brand BODA SKINS has appointed Paula Hunter, from PR Hunter, to raise the profile of both the brand and founder Nathan Alexander.

People news


Tom Glover and Victoria Brophy

Golin has appointed two executive directors to its corporate, B2B and technology team. It has appointed Victoria Brophy as executive director, corporate, while also hiring former Financial Times director of communications Tom Glover as executive director, media.

London Stansted Airport has created three new roles in its corporate affairs team. Ben Clifton is set to fill the role of head of communications, joining from the Department for Transport in January 2019. Leanne Ehren becomes communication and stakeholder engagement manager, while David Lewy has been appointed head of public affairs and partnerships.

Stir has appointed Polly Atherton as its new managing director, where she is tasked with taking the agency to the next level as part of its growth strategy.

Polly Atherton

Powerscourt has announced new hires to its issues management and special situations team. Mark Leftly joins as senior consultant, having previously been press secretary for Liberal Democrat leader Sir Vince Cable. The agency has also appointed Victoria Ryzhykh as consultant. Both will report to division lead Conal Walsh.

Fourtold has appointed Darren Ennis as senior advisor. He will work with the agency’s Brussels team to drive growth and support its international clients.

Lansons co-founder and chief executive Tony Langham has been reappointed as chairman of the board of Great British Racing Limited.

Agency news


Portland has acquired Doha-based consultancy Forbes Associates to support its growth in the Middle East. As part of the acquisition, Forbes Associates founder Patrick Forbes will become a partner in Portland’s corporate practice.

Manifest has created a ventures offering called Make, which sees the agency embark on co-creation projects and stake equity in businesses.

60 Seconds with Curzon PR's Farzana Baduel

60 Seconds with Curzon PR’s Farzana Baduel

Farzana Baduel, founder and CEO of Curzon PR, talks about being an ambassador for the Oxford Foundry’s L.E.V8 Women programme, how women can become PR leaders and combining a “boutique” agency with international clients.


Congratulations, you have been chosen as one of seven ambassadors for the L.E.V8 Women programme as well as the resident PR expert at the Oxford Foundry. What do the roles entail and what is your reaction to being one of those selected?

Firstly, it’s an honour to have been appointed as one of seven ambassadors.

The L.E.V8 Women programme aims to challenge commonly held preconceptions about leadership, entrepreneurship, and gender, by providing Oxford’s future female leaders and founders with the knowledge to build and scale their ventures.

The position requires me to spend approximately one day a month at Oxford teaching masterclasses in PR and having one-to-one mentoring clinics with groups of Oxford University students who are on an entrepreneurial journey.

In essence, I teach the students about the history of PR and its present-day value to businesses, leaders, and organisations. PR, as an industry, can often be misunderstood and requires a much deeper understanding to highlight the industry’s practical benefits to business and society.

It is a delight to be able to share my knowledge and experience with the young leaders of tomorrow. I am particularly thrilled as I, myself, did not finish my degree at university because I left after my second year to start my first business. I remember receiving a lot of criticism for dropping out of university, so it is somewhat ironic that I am now teaching at one!

As an agency CEO, what is your view on the leadership opportunities available to women in the PR industry?

The CIPR’s annual State of the Profession Survey shows a gender pay gap of £6,725. More surprisingly, the industry is 63% female, which makes the discrepancy even more prominent.

The PR industry is dominated with a high proportion of female practitioners, yet the average gap between male and female earnings rises dramatically to more than £18,000 for senior practitioners with 17-21 years of experience.

Like myself, a number of women struggle with the demands of raising children and caring for elderly relatives in addition to their employment demands. I am lucky that I have a supportive husband and we have a partnership which enables me to pursue activities such as mentoring, further education and networking – which allow me to build my leadership credentials.

If women have a strong support network around them, they will be able to flourish in leadership roles. Perhaps due to gender conditioning in society, some women admit a fear of failure, or of imposter syndrome and low self-esteem which prevents their rise to leadership positions.

Leaders are often stereotyped as “old, pale and male”, how were you able to overcome this?

I am not old, pale or male, and I figured that when I started out in PR, I needed third-parties to endorse me in order to overcome any biases people might have.

I naturally focused on thought leadership, gaining chartered PR status, speaker platforms, social media, awards, and the media to build a personal profile which is reinforced by credible third parties to influence people’s perception of me, allowing people to go beyond my gender and race to see me as a credible professional.

In light of this, I welcome diversity across all leadership positions but only on the basis of meritocracy. I am uncomfortable with tokenism because it undermines the whole concept of diversity. We should create a society of equal opportunity that is not dictated by equality in outcome, but rather allows for all to achieve according to their talents and work ethic.

While Curzon PR has core specialisms, these cover quite a varied range of areas. Why did you select these areas to specialise in?

It made sense for me to work on behalf of governments and corporations due to my work as vice chair of the Conservative business relations department. Whilst I was there I built relationships on behalf of the party with the business community with a special focus on international trade and investment.

At Curzon, we started looking after arts and culture projects when I began to realise how important arts and culture was in society at large. It is often underfunded and overlooked so we offer a more accessible fee structure for arts and culture projects, which is indicative of how important we think their contribution is to society.

Curzon operates as a “boutique” agency but has a range of international clients. How are you able to satisfy clients across different markets while working as a boutique?

Our clients often seek London-based strategists with a global mindset. Because London is a world city and transcends national borders due to its diversity, many of our clients want a team that is located in London.

In order to service our clients effectively and efficiently, we have a global network of senior consultants that we work with on client projects. However, our international clients often come to us specifically for our core specialisms such as strategy and capacity building.

Whilst our delivery work often takes place within the UK on behalf of international clients, we are able to position our understanding of the intersection between global growth markets and developed markets, which allows us to work effectively in multiple regions as the communications issues of emerging markets are somewhat similar.

Are there any issues which working across a number of markets present?

Every time we work in a new market, there is a natural learning curve. However, as we have started to increasingly work in markets such as South Asia and the Middle East, we have built considerable insight, expertise, and relationships that have enabled us to bypass the learning curve.

Our clients often come to us in addition to other retained agencies in their local markets because we deliver strategic global insight to their communications instead of the siloed thinking that often operates in market-specific specialists.

How do you look to measure your PR output?

We always want our work to benefit our clients in tangible ways. We use KPIs and metrics to focus on outcomes rather than just outputs.

We often start client projects by aligning PR objectives with their organisational goals to ensure all objectives are smart and realistic.

Finally, how can PR agencies and practitioners have a better “diversity mindset”?

Brexit has become an eye-opener where we have seen a number of ‘remainers’ who were shocked by the referendum result when they saw many of their friends and contemporaries also voting remain.

Looking at the Brexit/Trump results on a map, it reflected schools of thought and political persuasion who were grouped geographically.

This has been compounded by social media algorithms which in turn, created echo chambers and which suggest content based upon existing preferences.

As a result, it is all too easy to become narrow-minded and intolerant of alternative viewpoints. It is important to champion diversity in race, gender, age, sexuality, political viewpoints, and educational background to encourage news consumption from media outlets which often give opposing viewpoints.

I try to read Russia Today, the state news of Iran as well as The Times, BBC and New York Times to get a 360 take on a geopolitical position on any given issue.

How to avoid “whiteness” and improve diversity in PR

How to avoid “whiteness” and improve diversity in PR

The PR profession needs to move away from the mentality of hiring “people like us” to improve diversity in the sector, a panel of industry experts stated at CommsCon.

The panel – held in association with the CIPR Greater London Group – discussed research from Dr. Lee Edwards, associate professor in the department of media and communications at LSE, which examined whether the PR industry was inherently “white”, not just in colour but also in how it operates.

Edwards was joined by session moderator Avril Lee, deputy chair global health practice at Burson RX, Isobel Bradshaw, senior corporate comms manager at Vodafone Group, Kuldeep Mehmi, associate director at Hawthorn Advisors, and Yvonne Smyth, group head of diversity and inclusion at Hays, with the quintet debating how to solve PR’s diversity problem.

Lee summed up the industry’s issue, stating: “Particularly in PR, what we’re guilty of is hiring ‘people like us’ and talking about people who can ‘hit the ground running’. What this means is we’re essentially having recruitment groundhog day, just hiring the same people again and again and again.”

‘Whiteness’ is more than about colour


To open the session, Edwards discussed the concept of ‘whiteness’ and the findings of research she had done examining diversity in the PR industry.

Edwards argued that whiteness represented more than just skin colour, listing definitions showing that it can be an objective social location which confers advantages and a way in which people experience, perceive and interact with their environment.

She also presented a number of comments from communicators from BME backgrounds she had interviewed detailing their experience of the industry. Many had said that the industry’s culture and the way people reacted to them, unconsciously rather than deliberately, had made them feel different and like they didn’t fit in.

Being the only BME person in the room


Bradshaw recounted her experiences of the lack of diversity in PR, noting that in spite of London being 40% BME, she was more often than not, the only non-white face in the room.

“It’s more surprising there being more than one ethnic diversity in a room than being the only one,” she said.

Bradshaw also noted that the agencies she had worked for had between 10%-20% of staff from BME backgrounds, often closer to 10%, while her in-house roles contained teams which were even less diverse.

Inclusion as well as diversity


Picking up on the recruitment angle, Smyth argued that if organisations recruit people like those who are already employed, then there is no scope for them to evolve.

She said that everybody in the industry needed to play their part in improving its diversity at all levels, stating that “you can’t be what you can’t see”.

As a diversity and inclusion head at Hays, Smyth also emphasised that inclusion is as important as diversity and the two go hand-in-hand, going back to Edwards’ point that whiteness is not just about skin colour but also about the culture of the industry.

Greater diversity means better performance


Mehmi reinforced the point that it is not only important to have a higher number of people from BME backgrounds working in the sector, but also working across higher levels of an organisation in order to develop role models.

He also emphasised that there is a business imperative to increasing diversity in the industry; noting that companies in the top quartile for racial and ethnic diversity are 35% more likely to have financial returns above their respective national industry medians.

He added that in the United Kingdom, for every 10% increase in gender diversity on the senior executive team, earnings before interest and tax rose by 3.5%.

The panel’s hope was that the incremental changes towards the industry becoming more diverse would quicken as industry members became more aware of how unconscious bias holds people back. Steve Shepperson-Smith, chair of the CIPR Greater London Group, observed the session and said:

“It was eye-opening to hear about the experiences that BME people have in the predominantly white UK PR industry. I hope the CIPR Greater London Group panel at Cision’s CommsCon encourages PR practitioners to address unconscious bias and enhance diversity and inclusion within our profession.”

LADbible: Young people care about purpose-driven content

LADbible: Young people care about purpose-driven content

“Young people give a f**k” was the message LADbible‘s head of comms Peter Heneghan presented to the assembled audience of PR professionals at CommsCon.

He highlighted that the social publisher’s younger audience wanted to see purpose-driven stories focused on issues they care about, referencing the title’s Trash Isles campaign.

In a session moderated by Hotwire’s global head of consumer, Emma Hazan, Heneghan revealed how LADbible has changed its tone to reflect what its audience are passionate about, how to produce campaigns which advance “social good” and which ideas work best.

Making social content work


Heneghan explained that a key test for whether an idea will work on social is to imagine discussing it in a social situation; such as talking to friends down the pub. He warned that if you wouldn’t talk about the idea in that scenario, it’s very unlikely that a wider audience would want to engage with it.

While seemingly obvious, social content should be designed and created with social channels in mind, rather than just writing an article and using the headline as a tweet.

He revealed that over half of 18-34-year-olds in the UK – both male and female, followed LADbible, with its number of followers on Facebook is higher than the combined number of those following major national newspapers in the UK, and that its core audience is interested in three key subjects; mental health, politics and the environment.

Working in collaboration


LADbible is open to working with brands and other organisations to develop great social content in tune with its audience, Heneghan explained.

He highlighted the social publisher’s recent partnership with the Plastic Oceans Foundation on the Trash Isles campaign as an example of the title producing viral content with a partner, with the campaign even winning awards at Cannes Lions.

Discussing how brands should work with LADbible and other social publishers, Heneghan said that trusting the title to understand and create the best content, in the same way as working with an agency, led to the best partnerships.

“Respect the social publisher and work with them as you do with a third party agency or cause,” he said. “Copy and pasting the same content on various platforms is not social. Collaboration is key.”

The changing nature of publishing


The social publisher has changed the tone of its content from its formative years to better reflect what its audience wants to hear about, Heneghan revealed.

He outlined how the media landscape has changed and how audiences have become the masters of their own universe, highlighting that social publishers now had to grab someone’s attention within three seconds when using video.

LADbible how media has changed

Peter Heneghan’s explanation as to how the media landscape has changed

Outlining the importance of using video content allied to other media, Heneghan said that the best strategy for brands is often to send b-roll footage to social publishers, who would then be able to select the most engaging shots based on their content-developing experience.

When evaluating what ingredients the best campaigns in the new media landscape contained, he surmised that all great campaigns will feature a creative idea, enabler and respected publisher working in combination.

PR News in Brief

PR news round-up (5-16 November)

Here’s a bumper round-up of the last two weeks’ PR news, featuring our CommsCon content, the PRCA National Awards and wins for Smarts Communicate and Citypress.

CommsCon


Our key takeaways from CommsCon

Thank you to everyone who attended CommsCon last week. We have written-up some of our fantastic sessions, the links to which you can find below:

Keep checking the website and social media for the rest of our write-ups of this fantastic event.

Account wins


The Ministry of Sound has appointed Smarts Communicate’s London office to drive awareness around its new private members’ club and work space in Elephant and Castle; The Ministry.

ScS has appointed The Lucre Group to increase brand engagement. Lucre will oversee the brand’s press office function, campaign management and execution and ongoing influencer programmes.

Made in Britain, the official collective mark for British manufacturers, has appointed Citypress to a PR and social brief which will promote its members’ success stories and position it as a leading national manufacturing commentator.

MJR Group has selected Strike Media to be PR partner for its Marvel’s Avengers S.T.A.T.I.O.N. exhibition at ExCel London.

Avengers STATION

Dating app The Inner Circle has appointed Milk & Honey PR to boost its visibility across both business and consumer audiences in the UK.

Volvo has appointed WPR to handle its regional media communications. The agency is tasked with creating content and securing coverage which drives consumers to Volvo’s UK retailer network.

Commonwealth Games England has selected Run Communications to develop and executive its comms activity over the next two years.

DeVries Global has announced a number of new account wins. It will help Scottish gin brand Pickering’s Gin to promote its Gin Baubles this Christmas, while also working with cosmetics brand Huda Beauty and its fragrance subsidiary Kayali. DeVries will manage Huda Beauty’s UK press office, while also handling the launch campaign for its new Kayali fragrance brand.

Speed and sister creative agency Bray Leino will work with land-based salmon farming company Pure Salmon to raise the company’s profile within the international seafood, business and foodservice trade sector.

Recruitment tech platform Tempo has selected LEWIS to support its growth and raise brand awareness.

Irani restaurant brand Dishoom has appointed ECHO PR help launch its new Manchester eatery. The agency will be responsible for developing a campaign to communicate the brand to a Mancunian audience.

The City Mental Health Alliance has appointed Rostrum to develop and manage its UK PR programme. The agency will look to change the conversation around mental health in the City.

Stone oven retailer Gozney has chosen Brandnation to handle its international creative comms brief to raise brand awareness in the UK, US and Australia.

Storage start-up Stashbee has selected The PHA Group to manage its comms and raise its profile in the UK.

Sportswear brand Athletic Propulsion Labs has appointed The Lifestyle Agency to handle its UK press activity.

PR Agency One will help launch Futons Foods’ new online retailer Star Bargains to a national audience by developing a multichannel PR campaign.

Diamond purchaser WP Diamonds has appointed Seymour PR to manage its UK press office.

Afro-fusion pop-up restaurant Zion’s Kitchen has appointed Kay Flawless PR to handle its PR, media enquiries and event management brief.

Pernod Ricard’s premium blended whisky brand Chivas Regal has appointed John Doe to manage experiential activity and media partnerships around its “The Blend” masterclass platform.

Leadership platform Xynteo has selected Brands2Life to run an international campaign to promote its second annual European leadership forum.

Manchester Animation Festival has appointed Sundae Communications to deliver press and publicity around the event.

The Thackray Medical Museum has partnered with ilk to build awareness and raise funds for its ‘Thackray in Lego Bricks’ attraction.

People news


Citypress has hired Reena Mistry as director to lead its Midlands office. Mistry has over 18 years of corporate communications and reputation management experience.

Clarion Communications has appointed David Roach to its advisory board to boost its CSR offering. Roach brings over 13 years’ corporate communications experience, with specialist knowledge in of CSR activation, public affairs & government relations and global investor relations.

Pelican Communications has hired Sarah Taylor-Jones as its first client services director.

Nottingham-based sports comms agency Macesport has appointed Maryke Penman as head of PR and Shaun Wheatcroft as its head of digital.

Maryke Penman and Shaun Wheatcroft

Consilium Strategic Communications has appointed Alex Harrison as senior advisor. She brings over 15 years’ strategic communications experience to the consultancy.

Elevate PR has hired Jacqueline Mills as an account manager. Bring more than a decade of PR experience to the agency, she will work day-to-day with a number of its clients.

Specialist stakeholder comms agency Black Sun has appointed Amanda Alexander as business development director.

Agency news


Entertainment, arts and culture specialist Premier has acquired Albion Media, an agency specialising in classical music and the performing arts. The purchase will broaden Premier’s expertise while enabling Albion Media to grow its offering to the classical music and performing arts sectors.

Jo Briody, Jackie Arnott-Raymond, Duncan Collins and Rachel O’Connor have launched PR and marketing agency SOUND. The firm promises to offer an intergrated marcomms solution under one agency set up.

Toys, games and childhood specialist Playtime PR is forming an alliance with German toys specialist blattertPR to expand both agencies’ reach.

International comms agency blueprint.tv has rebranded to 52 Group and announced that it intents to invest £250,000 towards jobs and recruitment in London.

Awards news


Taylor Herring was the big winner at this week’s PRCA National Awards, taking home five gongs across the automotive, consumer, technology and CSR categories, as well as winning the agency campaign of the year prize.

Hope&Glory took home three awards, including being named large consultancy of the year, while The Romans and Pegasus also received multiple prizes.

The full list of winners can be found here.